Two Irish Showbands - The Playmates and Gregory & The Cadets

Irish Showbands - Hola Music Lovers, Music іѕ а form оf art thаt involves organized аnd audible sounds аnd silence. It іѕ nоrmаllу expressed іn terms оf pitch (which includes melody аnd harmony), rhythm (which includes tempo аnd meter), аnd thе quality оf sound (which includes timbre, articulation, dynamics, аnd texture). Music mау аlѕо involve complex generative forms іn time thrоugh thе construction оf patterns аnd combinations оf natural stimuli, principally sound. Music mау bе uѕеd fоr artistic оr aesthetic, communicative, entertainment, оr ceremonial purposes. Thе definition оf whаt constitutes music varies ассоrdіng tо culture аnd social context.This Blog tell About Irish Showbands, Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. .

Another couple of Irish Showband 45s have emerged in charity shops near me, and it would be rude of me not to include them here...

Artist: The Playmates
Title: Jodi b/w Don't Fight It
Label: Emerald
Year of Release: 1970

One of the perplexing things about the Irish Showband scene is that while it produced a plethora of acts who were fleetingly very successful in their home country, finding recordings, biographies, photos or factual information about many of these people is far harder work than it should be. And so it goes with The Playmates - "Jodi" was apparently a sizeable hit in Ireland, but information is otherwise pretty scarce.

Still, I have to be honest and say that it's not really the A-side I'm interested in here, which is a springy and catchy pop track but nothing otherworldly. Rather, I'm much more curious to hear a showband take on Wilson Pickett's "Don't Fight It", which sits on the flip. Did the story for "The Commitments" start here, folks? Well, no. "Don't Fight It" is a faithful cover, but regrettably it lacks any grit or oomph, sounding more like an uptempo good-time sound. It's indisputably a product both of its time and of its circuit, but it's interesting to hear something so unexpected.

Artist: Gregory and The Cadets

Title: Girl of Independent Means/ Young and Beautiful

Label: Pye

Year of Release: 1967

And here's another act on the circuit, Gregory and The Cadets, who managed a string of convincing hits in Ireland (One, "More Than Yesterday", even reached the top spot) but haven't left a strong mark on the Internet.

They appear to have been closely linked to an old friend of the blog, Peter Lee Stirling, who often produced or wrote a number of their singles. "Girl of Independent Means" is one of his efforts, and rather than being a piece of folky observational sixties pop, is actually a well-sung ballad in awe of one woman's wealth. The B-side "Young and Beautiful" is a belting piece of balladry which is unfortunately rather needle-damaged by the previous owner, who clearly preferred it to the A-side to such an extent that he or she hammered it to death.

Another couple of Irish Showband 45s have emerged in charity shops near me, and it would be rude of me not to include them here...

Artist: The Playmates
Title: Jodi b/w Don't Fight It
Label: Emerald
Year of Release: 1970

One of the perplexing things about the Irish Showband scene is that while it produced a plethora of acts who were fleetingly very successful in their home country, finding recordings, biographies, photos or factual information about many of these people is far harder work than it should be. And so it goes with The Playmates - "Jodi" was apparently a sizeable hit in Ireland, but information is otherwise pretty scarce.

Still, I have to be honest and say that it's not really the A-side I'm interested in here, which is a springy and catchy pop track but nothing otherworldly. Rather, I'm much more curious to hear a showband take on Wilson Pickett's "Don't Fight It", which sits on the flip. Did the story for "The Commitments" start here, folks? Well, no. "Don't Fight It" is a faithful cover, but regrettably it lacks any grit or oomph, sounding more like an uptempo good-time sound. It's indisputably a product both of its time and of its circuit, but it's interesting to hear something so unexpected.

Artist: Gregory and The Cadets

Title: Girl of Independent Means/ Young and Beautiful

Label: Pye

Year of Release: 1967

And here's another act on the circuit, Gregory and The Cadets, who managed a string of convincing hits in Ireland (One, "More Than Yesterday", even reached the top spot) but haven't left a strong mark on the Internet.

They appear to have been closely linked to an old friend of the blog, Peter Lee Stirling, who often produced or wrote a number of their singles. "Girl of Independent Means" is one of his efforts, and rather than being a piece of folky observational sixties pop, is actually a well-sung ballad in awe of one woman's wealth. The B-side "Young and Beautiful" is a belting piece of balladry which is unfortunately rather needle-damaged by the previous owner, who clearly preferred it to the A-side to such an extent that he or she hammered it to death.

Gary Street and the Fairways - Flipiddy Flop/ Hold Me Close

Irish Showbands - Hola Music Lovers, Music іѕ а form оf art thаt involves organized аnd audible sounds аnd silence. It іѕ nоrmаllу expressed іn terms оf pitch (which includes melody аnd harmony), rhythm (which includes tempo аnd meter), аnd thе quality оf sound (which includes timbre, articulation, dynamics, аnd texture). Music mау аlѕо involve complex generative forms іn time thrоugh thе construction оf patterns аnd combinations оf natural stimuli, principally sound. Music mау bе uѕеd fоr artistic оr aesthetic, communicative, entertainment, оr ceremonial purposes. Thе definition оf whаt constitutes music varies ассоrdіng tо culture аnd social context.This Blog tell About Irish Showbands, Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. .

Label: Domain

Year of Release: 1968

The Irish Showband circuit produced numerous incredibly popular dance bands from the fifties through to the late seventies, groups who were stars in their home country but meant very little indeed, if anything, across the Irish Sea.

Gary Street and the Fairways formed off the back of the Agents Showband, adding Gary Street to their line-up as a vocalist following a long live stint in Germany. Returning back home to Ireland they immediately impressed with their new disciplined set and impressive new singer, and were quickly signed to King Records there. "Flipiddy Flop" was the first single, a band composition, and reached number ten in the Irish charts.

The tiny Domain label seem to have picked up the rights to the record in the UK, and it - er - flipiddy flopped into the British shops to a lot of general disinterest. Of more interest to me is The Equals cover on the flip, "Hold Me Closer", which has a bit more beef and swing to it. "Flipiddy Flop" is a wee bit too bubblegummy even for my sweet tooth.

The original line-up of The Fairways carried on for a couple of years after this, but no record they issued was ever as successful as this one, and they gave up before the 70s got properly underway. The name continued to be used by various other members until as late as 1983, however.

Possibly of greater interest than this record to "Left and to the Back" readers is the truly bizarre ska record they issued in 1969 entitled "Yoko Ono", which can be heard over on YouTube.  The band busy themselves by singing about trying to get to a plantation on which the famous artist and Beatle-wife appears to be waiting for them. I'll give it this much - it's better than "Ob La Di, Ob La Da".

Label: Domain

Year of Release: 1968

The Irish Showband circuit produced numerous incredibly popular dance bands from the fifties through to the late seventies, groups who were stars in their home country but meant very little indeed, if anything, across the Irish Sea.

Gary Street and the Fairways formed off the back of the Agents Showband, adding Gary Street to their line-up as a vocalist following a long live stint in Germany. Returning back home to Ireland they immediately impressed with their new disciplined set and impressive new singer, and were quickly signed to King Records there. "Flipiddy Flop" was the first single, a band composition, and reached number ten in the Irish charts.

The tiny Domain label seem to have picked up the rights to the record in the UK, and it - er - flipiddy flopped into the British shops to a lot of general disinterest. Of more interest to me is The Equals cover on the flip, "Hold Me Closer", which has a bit more beef and swing to it. "Flipiddy Flop" is a wee bit too bubblegummy even for my sweet tooth.

The original line-up of The Fairways carried on for a couple of years after this, but no record they issued was ever as successful as this one, and they gave up before the 70s got properly underway. The name continued to be used by various other members until as late as 1983, however.

Possibly of greater interest than this record to "Left and to the Back" readers is the truly bizarre ska record they issued in 1969 entitled "Yoko Ono", which can be heard over on YouTube.  The band busy themselves by singing about trying to get to a plantation on which the famous artist and Beatle-wife appears to be waiting for them. I'll give it this much - it's better than "Ob La Di, Ob La Da".