Who: Count Prince Miller
What: Rupert The Bear
Label: Penny Farthing
When: 1972
Where: Wood Street Market, Wood Street, Walthamstow, London
Cost: 50p
Proof is right here, if we really needed it, that no cover version has ever been considered too absurd or too outlandish for a reggae artist. For this is indeed the children's TV theme given a decidedly mellow feel, with high-pitched, screeching (and I presume studio-treated?) vocals delivering the chorus. Whilst sixties psychedelia played with the idea of fairytales and backgarden creatures being drug-influenced, I'd be tempted to say that this tackles the subject of everyone's favourite Nutwood dwelling bear from a rather more doped-up perspective.
The B-side "When We Were Children" even continues the theme gamely, referring to the songs mothers sing to their offspring and the simplicity of those comforting times, which lyrically is very close to the same under-explored topic as Pink Floyd's "Matilda Mother". It didn't seem as if anyone in 1972 was really ready for toytown reggae or twee reggae, though, but the thought of a gang of menacing looking skinheads grooving on down to the "Rupert The Bear" theme tune is an enticing one.
Count Prince Miller had a cult reggae hit the previous year with "Mule Train Parts One and Two", but is perhaps better remembered in mainstream society for his role as Vince in the eighties sitcom "Desmond's". Both these performances outshine "Rupert The Bear", but it's a peculiar career blip and anomaly I couldn't resist uploading here.
Who: Count Prince Miller
What: Rupert The Bear
Label: Penny Farthing
When: 1972
Where: Wood Street Market, Wood Street, Walthamstow, London
Cost: 50p
Proof is right here, if we really needed it, that no cover version has ever been considered too absurd or too outlandish for a reggae artist. For this is indeed the children's TV theme given a decidedly mellow feel, with high-pitched, screeching (and I presume studio-treated?) vocals delivering the chorus. Whilst sixties psychedelia played with the idea of fairytales and backgarden creatures being drug-influenced, I'd be tempted to say that this tackles the subject of everyone's favourite Nutwood dwelling bear from a rather more doped-up perspective.
The B-side "When We Were Children" even continues the theme gamely, referring to the songs mothers sing to their offspring and the simplicity of those comforting times, which lyrically is very close to the same under-explored topic as Pink Floyd's "Matilda Mother". It didn't seem as if anyone in 1972 was really ready for toytown reggae or twee reggae, though, but the thought of a gang of menacing looking skinheads grooving on down to the "Rupert The Bear" theme tune is an enticing one.
Count Prince Miller had a cult reggae hit the previous year with "Mule Train Parts One and Two", but is perhaps better remembered in mainstream society for his role as Vince in the eighties sitcom "Desmond's". Both these performances outshine "Rupert The Bear", but it's a peculiar career blip and anomaly I couldn't resist uploading here.
