Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Wednesday, December 22, 2010

Private Eye Sings - Recorded at Llandudno, October 1962

comedy - Hola Music Lovers, Music іѕ а form оf art thаt involves organized аnd audible sounds аnd silence. It іѕ nоrmаllу expressed іn terms оf pitch (which includes melody аnd harmony), rhythm (which includes tempo аnd meter), аnd thе quality оf sound (which includes timbre, articulation, dynamics, аnd texture). Music mау аlѕо involve complex generative forms іn time thrоugh thе construction оf patterns аnd combinations оf natural stimuli, principally sound. Music mау bе uѕеd fоr artistic оr aesthetic, communicative, entertainment, оr ceremonial purposes. Thе definition оf whаt constitutes music varies ассоrdіng tо culture аnd social context.This Blog tell About comedy, Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. .

Private Eye Sings 1

Label: Private Eye
Year of Release: 1962

It's been a rum old 2010 here on "Left and To The Back".  We've been recommended in "The Guardian", had more unique visitors in one calendar year than ever before, and found a hundred more pieces of garbage, goodness, gold-dust and novelty gilblets in second hand record shops (I couldn't think of another word beginning with 'g' - sorry).  Whilst wondering what I could upload here for your pleasure before waving farewell to you good people until the end of the month at least, this little item in the back of one of my record boxes immediately sprang to mind.  It is, to the best of my knowledge, Private Eye magazine's first ever excursion into recorded sound, although be warned... satire from 1962 can seem rather dated in places.

I hope you're at least surprised by this, and I shall see you with more treats and surprises soon.  Have a very merry Christmas, and keep an eye on the blog for another update once the last of the turkey is scraped off the bone and the final useless present is bunged in the local Oxfam.

Tracklisting:


Side One
1. Overture - A Letter From Sir Herbert Gussett
2. Lift Up Your Parts
3. The Common Market - A Great Nation Speaks


Side Two
1. Dramatic Readings From "The Times" - The National Theatre
2. A Word From Mervyn Poove
3. The True Story Of James Gaithen (Written By Christopher Logue)

Private Eye Sings 1

Label: Private Eye
Year of Release: 1962

It's been a rum old 2010 here on "Left and To The Back".  We've been recommended in "The Guardian", had more unique visitors in one calendar year than ever before, and found a hundred more pieces of garbage, goodness, gold-dust and novelty gilblets in second hand record shops (I couldn't think of another word beginning with 'g' - sorry).  Whilst wondering what I could upload here for your pleasure before waving farewell to you good people until the end of the month at least, this little item in the back of one of my record boxes immediately sprang to mind.  It is, to the best of my knowledge, Private Eye magazine's first ever excursion into recorded sound, although be warned... satire from 1962 can seem rather dated in places.

I hope you're at least surprised by this, and I shall see you with more treats and surprises soon.  Have a very merry Christmas, and keep an eye on the blog for another update once the last of the turkey is scraped off the bone and the final useless present is bunged in the local Oxfam.

Tracklisting:


Side One
1. Overture - A Letter From Sir Herbert Gussett
2. Lift Up Your Parts
3. The Common Market - A Great Nation Speaks


Side Two
1. Dramatic Readings From "The Times" - The National Theatre
2. A Word From Mervyn Poove
3. The True Story Of James Gaithen (Written By Christopher Logue)

Saturday, December 18, 2010

Second Hand Record Dip Part 67 - Marty Feldman - A Joyous Time Of The Year

comedy - Hola Music Lovers, Music іѕ а form оf art thаt involves organized аnd audible sounds аnd silence. It іѕ nоrmаllу expressed іn terms оf pitch (which includes melody аnd harmony), rhythm (which includes tempo аnd meter), аnd thе quality оf sound (which includes timbre, articulation, dynamics, аnd texture). Music mау аlѕо involve complex generative forms іn time thrоugh thе construction оf patterns аnd combinations оf natural stimuli, principally sound. Music mау bе uѕеd fоr artistic оr aesthetic, communicative, entertainment, оr ceremonial purposes. Thе definition оf whаt constitutes music varies ассоrdіng tо culture аnd social context.This Blog tell About comedy, Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. .

Marty Feldman - A Joyous Time Of The Year

Who: Marty Feldman
What: A Joyous Time Of The Year/ The B Side
Label: Decca
When: 1968
Where: Wood Street Market, Walthamstow, London
Cost: 50p


It's surprising how infrequently Marty Feldman's name crops up in the British media these days.  At his peak, he was one of the foremost comedians of the sixties and seventies, winning two BAFTA awards, and appearing on a stream of TV shows which utilised his apparently "jazz influenced" comedy style to enormous success.  Here he is with John Cleese, and you can witness him playing the part of Igor here if that's your particular bag.

One of life's irrepressible performers, and by all accounts a bag of insane and unpredictable energy at times, Feldman took to the music industry in a manner which many of his contempories must have envied.  Whilst flop singles from British comedians are so ubiquitous in second hand shops that it seems pointless even mentioning it, Feldman's work is among the few I would argue is undeserving of the infamy.  His tunes are an extension of his personality, and the frothy excitement behind most of the work almost manages, in some cases, to give the impression that it was partly improvised (not entirely impossible, actually).

His Christmas single "A Joyous Time Of Year" is a sarcastic piece of nastiness stabbing a dirty digit at the inconveniences of Yuletide.  In it he lists the various miserable aspects of the season - the cost of his wife's present, for example, "could have bought Mornington Crescent", and idiots buying children trumpets ("blowing dischords in my ear") is another inconvenience which is given an airing.  The song is capped off brilliantly by Feldman listing an itinerary of utterly hopeless presents (which still sound better than my haul last year, incidentally).

More interesting still is the B-side where Feldman decides he can "say whatever he wants" because nobody listens to flipsides of records anymore, and proceeds to spread slander about various radio DJs, saving most of his unpleasantness for Tony Blackburn.  Perhaps they did hear the B-side after all, for this single simply did not sell, and Feldman's career as a comedy singer failed - but unbelievably, both tracks and his album "I Feel A Song Going Off" have been made available on iTunes by Decca Records.  To listen to the tracks in full, purchase them either from there or from another online retail outlet.  In the meantime, enjoy the snippets below.

Marty Feldman - A Joyous Time Of The Year

Who: Marty Feldman
What: A Joyous Time Of The Year/ The B Side
Label: Decca
When: 1968
Where: Wood Street Market, Walthamstow, London
Cost: 50p


It's surprising how infrequently Marty Feldman's name crops up in the British media these days.  At his peak, he was one of the foremost comedians of the sixties and seventies, winning two BAFTA awards, and appearing on a stream of TV shows which utilised his apparently "jazz influenced" comedy style to enormous success.  Here he is with John Cleese, and you can witness him playing the part of Igor here if that's your particular bag.

One of life's irrepressible performers, and by all accounts a bag of insane and unpredictable energy at times, Feldman took to the music industry in a manner which many of his contempories must have envied.  Whilst flop singles from British comedians are so ubiquitous in second hand shops that it seems pointless even mentioning it, Feldman's work is among the few I would argue is undeserving of the infamy.  His tunes are an extension of his personality, and the frothy excitement behind most of the work almost manages, in some cases, to give the impression that it was partly improvised (not entirely impossible, actually).

His Christmas single "A Joyous Time Of Year" is a sarcastic piece of nastiness stabbing a dirty digit at the inconveniences of Yuletide.  In it he lists the various miserable aspects of the season - the cost of his wife's present, for example, "could have bought Mornington Crescent", and idiots buying children trumpets ("blowing dischords in my ear") is another inconvenience which is given an airing.  The song is capped off brilliantly by Feldman listing an itinerary of utterly hopeless presents (which still sound better than my haul last year, incidentally).

More interesting still is the B-side where Feldman decides he can "say whatever he wants" because nobody listens to flipsides of records anymore, and proceeds to spread slander about various radio DJs, saving most of his unpleasantness for Tony Blackburn.  Perhaps they did hear the B-side after all, for this single simply did not sell, and Feldman's career as a comedy singer failed - but unbelievably, both tracks and his album "I Feel A Song Going Off" have been made available on iTunes by Decca Records.  To listen to the tracks in full, purchase them either from there or from another online retail outlet.  In the meantime, enjoy the snippets below.