Label: Deram
Year of Release: 1967
Despite their presence on this blog, North London duo The Truth were actually no strangers to the charts, having hit number 27 in 1966 with their cover version of The Beatles' "Girl". Beyond that, however, their career was somewhat underwhelming, their six other singles failing to register with the public.
Performed by a duo consisting of ex-hairdressers Frank Aiello and Steve Gold, "Jingle Jangle" is a Reg Presley penned ditty which would perhaps have been too subtle in its West Coast harmony derived popness to leap out of the radio. Despite its lack of punchy immediacy, it is a perfectly pleasant piece of work, and one which might have made sense as a follow-up to a hit rather than an attempt to hoist the act back into the public eye again.
The B-side, however, is the one which still frequently gets spins on mod dancefloors to this day. We've already heard Keith Shields' version of "Hey Gyp (Dig The Slowness)", but The Truth's attempt is full of aggression and incessant pounding, going nowhere in particular but building and building on its stripped back, hectoring theme, like a a more sharply suited and soulful version of The Monks. One of those mod records which possibly lays the foundations for harder edged sounds, it's a little bit mean and arguably makes more sense in a club than in a living room - but it still should be heard.
Once The Truth decided to call it a day, Steve Gold renamed himself Steve Jameson and cut a number of other discs, including the Northern Soul favourite "Goodbye Nothing To Say".
Label: Deram
Year of Release: 1967
Despite their presence on this blog, North London duo The Truth were actually no strangers to the charts, having hit number 27 in 1966 with their cover version of The Beatles' "Girl". Beyond that, however, their career was somewhat underwhelming, their six other singles failing to register with the public.
Performed by a duo consisting of ex-hairdressers Frank Aiello and Steve Gold, "Jingle Jangle" is a Reg Presley penned ditty which would perhaps have been too subtle in its West Coast harmony derived popness to leap out of the radio. Despite its lack of punchy immediacy, it is a perfectly pleasant piece of work, and one which might have made sense as a follow-up to a hit rather than an attempt to hoist the act back into the public eye again.
The B-side, however, is the one which still frequently gets spins on mod dancefloors to this day. We've already heard Keith Shields' version of "Hey Gyp (Dig The Slowness)", but The Truth's attempt is full of aggression and incessant pounding, going nowhere in particular but building and building on its stripped back, hectoring theme, like a a more sharply suited and soulful version of The Monks. One of those mod records which possibly lays the foundations for harder edged sounds, it's a little bit mean and arguably makes more sense in a club than in a living room - but it still should be heard.
Once The Truth decided to call it a day, Steve Gold renamed himself Steve Jameson and cut a number of other discs, including the Northern Soul favourite "Goodbye Nothing To Say".
