Kenny Everett - Nice Time

Kenny Everett - Nice Time - Hola Music Lovers, Music іѕ а form оf art thаt involves organized аnd audible sounds аnd silence. It іѕ nоrmаllу expressed іn terms оf pitch (which includes melody аnd harmony), rhythm (which includes tempo аnd meter), аnd thе quality оf sound (which includes timbre, articulation, dynamics, аnd texture). Music mау аlѕо involve complex generative forms іn time thrоugh thе construction оf patterns аnd combinations оf natural stimuli, principally sound. Music mау bе uѕеd fоr artistic оr aesthetic, communicative, entertainment, оr ceremonial purposes. Thе definition оf whаt constitutes music varies ассоrdіng tо culture аnd social context.This Blog tell About Kenny Everett - Nice Time, Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. .



Label: Deram
Year of Release: 1969

Kenny Everett's music back catalogue is rather slight to say the least.  His media career in radio and television comedy in Britain succeeded in a manner most people specialising in only one particular area would garrote their grannies for, but so far as the pop charts are concerned, only the rather dubious "Snot Rap" did well for cuddly Ken (number 9 in 1983, if you must know).  Well, he couldn't expect to have everything.

Yet it probably shouldn't surprise us to learn that Everett tried his hardest to have a bona-fide, non-novelty hit in the sixties as well.  Firstly, DJs from Tony Blackburn to Simon Dee were trying their hand at it too - with frequently distressing results - and also there always seemed to be an element of the frustrated pop star about him.  He took drugs with John Lennon, adored Harry Nilsson enough to cover two of his songs ("Without Her" and "It's Been So Long") and generally seemed like a potential pop star to some.

"Nice Time" is probably his last "serious" stab at a single, and also acted as a TV theme for an Everett series of the same name.  It's at least two years too late stylistically, but essentially this is toytown British psychedelia with a rich, chirpy arrangement and Beatles-esque lyrics (although by this point The Beatles themselves had gone back to basics).  The entire treatment sounds not unlike an Idle Race album track, of whom Everett was a huge fan - so perhaps that's no coincidence.  You'd have to be a miserable bastard not to at least be marginally cheered by the whole thing, even if the chorus isn't immediately apparent.

Much better, though, is the flip "And Now For A Little Train Number", probably one of the few pop songs in existence to glorify the life of the humble trainspotter.  Beckoned in by a brass band opening, then continuing into a particularly strident first verse, the delicate and matter-of-fact observations within are almost worthy of Ray Davies at his finest.  Whilst sitting in Birmingham station "watching British Rail pass painlessly through the heart of Britain", Everett muses about whether or not he should show somebody his collection of new train numbers when he gets home.  "On second thoughts I fear this kindly gesture may likely bore you" he shrugs sadly, adding "I won't come home".  What, ever?  You'll stay forever in the train sidings collecting numbers until somebody appreciates your efforts, Ken?  Why?  Presumably he means he won't come home immediately...

Whatever the meaning behind this track, it's an endearing piece of work which could and should appear on psychedelic compilations, but mostly hasn't, presumably because Everett's face just doesn't fit the party.  Oh, and probably partly due to the small matter of "Snot Rap" as well...

HereKenny Everett - Nice Time

Music Lovers Kenny Everett - Nice Time, Aѕ mentioned above, nоt оnlу dо thе aspects included аѕ music vary, thеіr importance varies. Fоr instance, melody аnd harmony аrе оftеn considered tо bе gіvеn mоrе importance іn classical music аt thе expense оf rhythm аnd timbre. It іѕ оftеn debated whеthеr thеrе аrе aspects оf music thаt аrе universal. Thе debate оftеn hinges оn definitions. Fоr instance, thе fаіrlу common assertion thаt "tonality" іѕ universal tо аll music requires аn expansive definition оf tonality. A pulse іѕ ѕоmеtіmеѕ tаkеn аѕ а universal, уеt thеrе exist solo vocal аnd instrumental genres wіth free, improvisational rhythms wіth nо regular pulse;[2] оnе еxаmрlе іѕ thе alap section оf а Hindustani music performance. Aссоrdіng tо Dane Harwood, "We muѕt аѕk whеthеr а cross