Label: Guided Missile
Year of Release: 2000
Following the dissolution of The Jesus and Mary Chain in 2000, William Reid popped up again unexpectedly quickly with a new project he called Lazycame. This initial release "Yawn!" was oddly like early McCartney in its basis, although not in overall sound. Just as everyone's favourite cheeky thumbs-aloft Scouser returned looking slightly bedraggled and bedroom studio-bound for his initial lo-fi works, so too did Mr Reid come back with something which sounded like a smorgasboard of sounds waiting to be fleshed out. The rush-release appeared to many fans to offer two things - value (the final track "Commercial" is 43 minutes long and consists of a lot of ideas meshed together) and a relieving statement of intent. There's a sense of "down but not yet out" about the whole project.
Still though, the rambling experimental nature of the first track "Drizzle" must have jolted everyone at the time, and the release is also notable for featuring an extended version of "Male Wife", originally found on Earl Brutus's "Tonight You Are The Special One" long player. This always was credited as being a joint Reid/ Sanderson track, so it's possible that both parties got to use it in their own marginally different ways. The Brutus version is a short sharp shock, whereas the Lazycame version extends the scattershot mayhem out to five minutes.
JAMC eventually reformed, of course, and Lazycame got put on the backburner, largely to be forgotten by all but the most hardcore fans. I still think that throwing out an hour's worth of music on a small indie label for the price of a single was a brilliant way of settling a new project down, however, and if only other ex-members of bands would be brave enough or generous enough to go through their chrysalis stage in a similar way. Mentioning no names, of course.
Tracklisting:
1. Drizzle
2. K To Be Lost
3. Who Killed Manchester
4. Male Wife
5. Commercial
Download it Here
HereLazycame - Yawn
Music Lovers Lazycame - Yawn, Aѕ mentioned above, nоt оnlу dо thе aspects included аѕ music vary, thеіr importance varies. Fоr instance, melody аnd harmony аrе оftеn considered tо bе gіvеn mоrе importance іn classical music аt thе expense оf rhythm аnd timbre. It іѕ оftеn debated whеthеr thеrе аrе aspects оf music thаt аrе universal. Thе debate оftеn hinges оn definitions. Fоr instance, thе fаіrlу common assertion thаt "tonality" іѕ universal tо аll music requires аn expansive definition оf tonality. A pulse іѕ ѕоmеtіmеѕ tаkеn аѕ а universal, уеt thеrе exist solo vocal аnd instrumental genres wіth free, improvisational rhythms wіth nо regular pulse;[2] оnе еxаmрlе іѕ thе alap section оf а Hindustani music performance. Aссоrdіng tо Dane Harwood, "We muѕt аѕk whеthеr а cross
No comments:
Post a Comment