The Reps - Rebel/ No More Yesterdays

The Reps - Rebel/ No More Yesterdays - Hola Music Lovers, Music іѕ а form оf art thаt involves organized аnd audible sounds аnd silence. It іѕ nоrmаllу expressed іn terms оf pitch (which includes melody аnd harmony), rhythm (which includes tempo аnd meter), аnd thе quality оf sound (which includes timbre, articulation, dynamics, аnd texture). Music mау аlѕо involve complex generative forms іn time thrоugh thе construction оf patterns аnd combinations оf natural stimuli, principally sound. Music mау bе uѕеd fоr artistic оr aesthetic, communicative, entertainment, оr ceremonial purposes. Thе definition оf whаt constitutes music varies ассоrdіng tо culture аnd social context.This Blog tell About The Reps - Rebel/ No More Yesterdays, Music is formulated or organized sound. Although it cannot contain emotions, it is sometimes designed to manipulate and transform the emotion of the listener/listeners. Music created for movies is a good example of its use to manipulate emotions. .

Label: Kingsway Music
Year of Release: 1980

The Reps were the first band I ever saw live. That sounds like an impressive statement, as if they were some kind of gateway group who helped me discover my love of rock and roll, so let me clarify that a bit - I had no choice in the matter. My Religious Education teacher at secondary school, a much-mocked and faintly smug but, in retrospect, well-meaning sort of man - the kind who is always the first to volunteer to take forty schoolchildren on a camping expedition then nearly have a nervous breakdown in the process - booked the group to play at my school. The Reps, you see, had a reputation (or should that be Rep-utation?) for delivering edgy, relevant and not at all drippy Christian Rock music.

So there I was, sat in the school assembly hall, begrudgingly admiring the group. I had long made up my mind that I didn't believe in God, but nonetheless The Reps were loud and loved catchy New Wave and Powerpop riffs, two things I was also quite keen on. In fact, they played our school hall twice and I can still remember how the chorus to their track "What You Gonna Do About It?" goes even now. The hooks earwormed their way deep, and it's clear that the band had a very simple concept - keep the Christian message simple and subtle, the songs catchy, and the style relevant (they were a wee bit out of time in that respect by the time I saw them, admittedly) and eventually you may gain a few more believers. For all their efforts, I highly doubt anyone who actually knew their underground music would have been converted. A quick look at the quota of beards and rather casual clothes on the sleeve shows that the band were more likely to be found shopping at C&A than Sex on the Kings Road. Still, I could see how they might make an impact on the floating voters.

The Reps didn't actually begin as a New Wave styled band, starting their days as The Dunamis or Dumani Roadshow, a much more middle-of-the-road group. "Rebel" seems to catch them at a halfway house, an odd transition point. The A-side is squeaky, sprightly and definitely punk inspired, trying to reach the alienated kids out there. The intro even sounds almost like a nineties Teen C record, zinging along jauntily and only really mentioning Jesus about a minute in.

Flip "No More Yesterdays", on the other hand, is MOR 70s angst-rock, owing a slight debt to the space-age melodrama of Jeff Lynne and ELO. And, to be honest, while the lyrical message behind the track is even more naive than one of Jeff's more flippant exercises on "Time", it's actually the side I prefer. There's a keener expression of ideas here, and overall it sounds like a much more natural style for the group. You get no sense that they're trying to fit into a pair of trousers far too tight for them.

Their next single release, though, the aforementioned "What You Gonna Do About It?" would go on to defy the odds and become a punk/ new wave collectible, proving that they did eventually master the art impressively (and leave me regretting the fact I didn't buy the record for two quid at the time).

The Reps were apparently mainstays on the Christian Rock circuit for many years afterwards, picking up an impressive following along the way, but the trail for their activities goes cold after the late eighties. It seems as if the line-up at the point of "Rebel" was John Ritter on vocals and guitar, Sue Ritter on vocals and keyboards, Andy Clark on guitar and vocals, Paul Raper on bass, and Jo Stephens on drums, but that may have changed later on.

On a slightly tangential point, the small Christian orientated Kingsway Music label also put out a single by an artist called Adrian Snell with the title "That's Me In The Corner". Was Michael Stipe paying attention? It's doubtful, but you have to ask.

HereThe Reps - Rebel/ No More Yesterdays

Music Lovers The Reps - Rebel/ No More Yesterdays, Aѕ mentioned above, nоt оnlу dо thе aspects included аѕ music vary, thеіr importance varies. Fоr instance, melody аnd harmony аrе оftеn considered tо bе gіvеn mоrе importance іn classical music аt thе expense оf rhythm аnd timbre. It іѕ оftеn debated whеthеr thеrе аrе aspects оf music thаt аrе universal. Thе debate оftеn hinges оn definitions. Fоr instance, thе fаіrlу common assertion thаt "tonality" іѕ universal tо аll music requires аn expansive definition оf tonality. A pulse іѕ ѕоmеtіmеѕ tаkеn аѕ а universal, уеt thеrе exist solo vocal аnd instrumental genres wіth free, improvisational rhythms wіth nо regular pulse;[2] оnе еxаmрlе іѕ thе alap section оf а Hindustani music performance. Aссоrdіng tо Dane Harwood, "We muѕt аѕk whеthеr а cross